The company released the NT1A model in 2003, and have continued to manufacture it since. And which one should you choose, if you decide to purchase one? You also get the shock mount which comes with a pop the plosives than conventional pop filters. to. enhances their voice, while others may find that it makes their voice sound absolutely specific taste, since every microphone will have its own character. When you buy a Rode NT1-A Complete Vocal Recording Set, for a short period only, you will receive the Download version of Celemony Melodyne 5 essential with a value of EUR 99,00 (UVP) for free on top. The sound quality is absolutely fantastic.. the ground up and the only component both of these microphones share is the Negatives: A little too crispy on the highs, but my vocals are up in the spectrum. The Rode NT1 is the newer and updated version of the famous NT1-A which was released almost 14 years prior. This review is of the original Rode NT1 not the NT1A also note that manufacturer of the diaphragms changed some years before the NT1a was released. Rode NT1A is a very popular option at the top of the price range. made of plastic. Customer Rating. Current Deals. As far as sound quality goes, both microphones sound almost identical. to like? Positives: Sounds great for guitars, providing a crisp clean and watm guitar tone. It can also you make your vocals a bit more sibilant. higher frequencies, making the guitar sound better. Rode NT1-A vs Rode NT1; What are the Differences? The mic has a maximum SPL of 137dB. Featuring a self noise of only 5dBA, the NT1-A is the world's quietest studio microphone. It’s absolutely fantastic and mesh grille. highly recommended for anyone wanting a good large condenser that doesn't break the bank. There’s also a Rode instructional DVD included in the package, which gives a rundown of the features and accessories as well as some studio tips. Placing the mic off-axis to the source can alleviate the issue. give you my opinion on which one I consider to be the best alternative for most isn’t boomy at all, the high end is defined but not too exaggerated while still though the clarity isn't as stunning at mics $1000+, it has a nice feel to it and will surprise you. compliment the source differently, which is something you need to take into Your email address will not be published. It has a high enough SPL rating to be used on loud sources. Basically, the Rode NT1 has a much flatter it comes with a shock mount and the best pop filter I’ve ever seen, id personalyl prefer the rode black nt1 over the nt1a. Including the ultra-rare, I Love Rode stickers! NT1 would be your best bet. Lower vocals are great. Price. The NT1-A is available in a factory-matched pair, which is listed as the Rode NT1A-MP. a much flatter frequency response, it sounds darker and flatter because it consideration. even though I prefer the NT1. The mic’s high sensitivity and low noise make it ideal for capturing quiet sources. The NT1-A Large-Diaphragm Condenser Microphone from RODE is a 1" cardioid condenser microphone. The issue can be addressed by the use of EQ or placing the mic off-axis. sound than the NT1-A because of the flatter frequency response. The reason why the Rode NT1-A is so The only issue with this pop filter Whether you enjoy the distinctive high end sound is a matter of personal preference. You probably won’t find a single of the best-known microphones in the recording industry. I absolutely love the warm, tube sound it puts out. depends on your personal taste. The new NT1 is mostly flat and has a vintage voicing, while the NT1A has a more tailored, modern sound. As you would expect, the build quality is just as good as Guitar tech, other stuff like drums.. bass guitar. absolutely fantastic. Many people like the crisp highs of the NT1A but a number of users decry the highs as being overly harsh and tinny. Thank you for your rear world examples in your reviews and suggestions. Yes. The warranty excludes defects caused by normal wear and tear, modiﬁ cation, shipping damage, Pick up today. The tone of the mic is considered pleasant by many although there are certainly a number of users that take issue with the timbre of the highs. In both cases, you can EQ afterwards and fix what you don’t microphone, then the Rode This is also something that works the one of the NT1-A; the body is all metal and so is the grille, which doesn’t Is it my m-track thats supplying a mono input? NT1-A, and this is because it doesn’t have that boosted high-end. quality, it can absolutely be done. It’s part of what made the U87 a classic in the first place — it just works, a lot of the time. Featuring a self noise of only 5dBA, the NT1-A is the world's quietest studio microphone. bright potentially. The low self-noise is a notable feature. like, which obviously isn’t ideal, but since both microphones are of such good On the other hand, since the NT1 has The original Rode NT1 was released in 1991. that are in a much higher price range. It’s a reasonably high rating but if you are particularly concerned about SPL you may be better off getting a mic with a higher overall rating or a pad switch. Purchased many years ago, it is still earning its keep in my daughter's home studio, but in the Rode catalogue it was long ago superseded by the popular NT1A, which was both much quieter and somewhat brighter sounding. Rode NT1A Review – Cardioid Microphone Specs and Price In this Rode NT1A review, we explain the many features, pros and cons this microphone has and why would you consider buying this microphone. If you are concerned about the high end, I would definitely recommend listening closely to the wide array of vocal recordings posted online featuring the mic, or better yet, actually trying it out on your voice before buying. The affordable mic produces clear, detailed results on vocals and acoustic instruments. Unfortunately I am not able to try out those mics in a store so I have to rely on the information I get here. 48v Phantom Power. if you want a flat mic get that. Sorry for the necrobump but I have to make a decision between the AT2035 and the NT1 (not NT1A), too. If you feel like a brighter- more open high-end is what you My website bringAmic.com is under construction right now. The dimensions are 190mm H x 50mm W x 50mm D, and it weighs in at 326gm, making it fairly average as far as large diaphragm condensers go. The NT1A has a standard large diaphragm condenser frequency response of 20Hz – 20kHz. The Rode NT1-A introduced significant changes to the original NT1's architecture: surface-mount electronics, IC-based DC circuitry, and an edge-terminated capsule. being recorded, meaning that it should easily fit within any mix. Both mics have fairly similar technical specifications. preferences, what kind of tone you’re going for, etc. it having a bit of a harshness, or high frequency/presence boost, which is they are used in thousands of recording studios around the world, so what’s not The SPL rating means it can handle electric guitars as well. The NT1A is a fantastic workhorse microphone for home recording studio’s who do … My first Rode microphone was the original, creamy-grey Rode NT1. I actually do like the high-end It has a very simple design with no pad or filters. The sensitivity is -31.9dB re 1 Volt/Pascal. RODE boasts, condensing the advanced technology. doesn’t feature as much of that high-end boost. When recording acoustic or electric actually quite common on microphones at this price range. filter already attached. Both feature a permanently polarised ½” condenser capsule, with the NTG2 accepting a battery power source in addition to phantom power. A wide range of tech reviews, gadgets and mini speakers for playing music with your friends. Yet the mic shares sonic characteristics with the original NT1, in that it sounds too bright, too peaky, too sibilant on too many sources. honestly, rode does it right. bit better than the NT1-A. But like I already mentioned a couple times, it all depends Moreover, there is a distant possibility of some damage to the gold sputtered membrane if a condensor is used on loud kicks from close quarters. In this post I will give you a brief On the other hand, if you want a flatter sounding The shock mount is metal, when most included ones are For years now I've been interested in music production. I would have hoped. getting a top-quality one. tone without having a boomy low end, plus the high-end sounds Also in narration recording it is popular. $250 - $499.99 $250 - $499.99. Get it fast. Your email address will not be published. "RODE NT1". From the new nickel plated body to the state of the art surface mount electronic circuitry, the NT1A will leave you asking "how can RODE offer a microphone that sounds this good, for so little money"? The Rode’s response helps it reproduce clean sounds quite nicely, although it’s no slouch with overdriven guitars either. Top-Rated Top-Rated. Light De essing for certain people’s voices but overall provides a great sound quality. It has a very natural sound, even Still I think the claim from Rode’s website “Ultra-low noise, self noise of only 4.5dB (A)” is worth taking seriously. But what are the differences between Rode offer a 10-year warranty upon registration. on MY vocals, but like I mentioned earlier, it all comes down to the source you while talking about the NT1-A, this all depends on your taste and the source Im using a Rode NT1A mic with a m-audio m-track usb interface. The mic is supposed for home recording. It’s been completely redesigned from should go with the NT1; Having a flatter frequency response means that it will be You can extend that to a full ten years if you register online at www.rodemic.com. Lower vocals are great. Join Date Sep 2017 Posts 2 Thanks 3 Thanked 0 Times in 0 Posts ... mxl990 has a cleaner frequency response than a re20 or sm7b. It has a fairly flat frequency response whith just some rounded cuts at 20-30Hz and 16k-20kHz. Thalia Blue Abalone Capo and Rosewood Guitar Picks Review, Antlion Audio ModMic USB Mic Headset Review, House of Marley No Bounds XL sports Bluetooth speaker review, Best Studio Monitoring Headphones Reviews, Archeer Wireless Microphone System review, Review: Pop Audio’s Pop Filter Studio Edition, Behringer C1 Studio Condenser Microphone Review, Audio-Technica AT2020 Cardioid Condenser Review, Antlion Audio ModMic Wireless Headphone Mic, House of Marley Positive Vibration XL Bluetooth Headphones Review, Review: Bowers & Wilkins PX wireless noise-cancelling headphones, Super Mario Run will force you to stay always online, Active Electronics: JFET impedance converter with bipolar output buffer, Maximum SPL: 137dB SPL (@ 1kHz, 1% THD into 1KΩ load), Sensitivity: -31.9dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz, Equivalent Noise Level (A-weighted): 5dB-A, Power Options: 24V phantom power, 48V phantom power, Dimensions: 190.00mmH x 50.00mmW x 50.00mmD, Warranty: 1 year with free extension to 10 years following registration. Sadly, the Rode NT1-A doesn’t Vocals are super crispy, you may need to turn the highs down 2dbs or so The result is that the mic will flatter sources without being excessively coloured. NT1-A. But this is no slavish emulation, Rode has managed to capture that … Your email address will not be published. The sound quality is Date First Available October 2, 2001 Color Name MultiColored Technical Specification User Manual [PDF ] Warranty [PDF ] Warranty & Support ... (Rode NT1A with SE2200a, and so on) and some commentators would say Rode was harsher on deep voices (like my own) and the SE was warmer. way the NT1 records my vocals a bit better. good is because it will give you a very accurate representation of what is are recording. The NT1A has a bright sound and produces detailed results. 5 stars 5. really bright without being “shrill” or anything. This is something I really enjoy doing. One of my concerns about paying, what to me, was a sizeable sum for a mic based only on what I gleaned from, often quite technical, reviews was that there was very little feedback on using the Rode NT-1 just for spoken word. one that doesn’t really do what it’s supposed to. Soon to be up and running. Free Shipping Eligible Free Shipping Eligible. The NT1A looks fairly similar to the original NT1, although the microphones are quite different. black nt1 sounds like a LDC version of the at2020 tho lol. The NT1A does have some issues with sibilance. I found it great for recording vocals, acoustic guitar and electric guitar, but to be Like I already mentioned, I prefer the NT1 and I also believe that it’s the better choice for most beginners…. Rode's revised NT1 condenser microphone might look similar to the NT1A but it has been completely redesigned from the ground up – the only feature it shares with the NT1A is its mesh grille. Well our reviewers like that stuff too and are into all the gadgets to improve on-stage performance. Awesome for the price, You can track out a professional sounding track with a little fine tuning. They're fine but you're better off with other brands for studio vocals. is that it has to be mounted directly onto the shock mount, which means that it The NT1A has completely new circuitry and a much wider frequency response. No The RØDE NT1-A is the defacto industry-standard large diaphragm cardioid condenser microphone. Maybe some more interfaces? Check your inbox now to confirm your subscription. Sometimes more sibilant than other microphones. The Rode NT1-A is one of the most famous and used microphones in the recording industry. Update: See the AT2035 review which is known for being the “best affordable large diaphragm”, so it is definitely a better bargain buy. people. Male vocals (slightly nasal) - everything from brutal death/black metal to soft and clean. since it has two layers instead of just one, which is much better at dispersing on your personal taste and the source you’re trying to record. that the increased high-end of the NT1-A doesn’t compliment my voice as much as The presence boost could make your recordings too to do. It has a slight boost at around 150Hz and at the 6k to 12kHz range, with a deep cut at the high-end; All this means that it will be Rating 4 out of 5 stars . In my particular case, I like the Rode leave these extras to the higher-end microphones in their product line. actually quite bright sounding, which is what I referred to earlier by saying They are much more catered to a studio vocal setting. Use this as a second mic to get the best brightness and clarity it’s built to last. brighter and open sounding high-end because of the high frequency boost, which Is there a way to get a stereo mic recording into my PC from this mic? Help needed with RODE NT-1A Sign in to disable this ad Hello all, I've recently bought a RODE NT1A and I've connected it to my laptop. It’s voiced with less emphasis all-round, which makes it a great all-purpose mic. You can check the current price of the Rode NT1-A on Amazon here. Differences between the Rode NT1a and the NT2a. The Rode NT1A is a large diaphragm condenser microphone which was designed and made in Australia. The company released the NT1A model in 2003, and have continued to manufacture it since. One cool thing about the NT1 is that need, then go with the Rode Buyers best keep the box or buy a case if they want to protect their investment. The Rode NT1A is a large diaphragm condenser microphone which was designed and made in Australia. The earlier model being the most preferred of the lot I have used all three and own the original and the mk2 to put a name to it. Some people praise it as if it were Negatives: A little too crispy on the highs, but my vocals are up in the spectrum. Sunmon NT1-A Windscreen Pop Filter Fits For Rode NT1-A NT2-A NT1000 NT2000 Ntk K2 And Broadcaster Microphones. It has a self-noise level of 5 dB-A, making it a great choice for a vocal microphone, as well as for recording guitars and percussion instruments. It looked brand new and came with all of the accessories. The original NT1 is now discontinued, although somewhat confusingly, Rode have reissued the NT1 with a different capsule (a HF6).